Beenzino

Verbal Jint - Go Hard Part 1: 양가치 (cover)

Verbal Jint – Where It All Started (Feat. Beenzino)

Warning: NOT suited for minors.

Intro x4)
[x_extra info=”popover” title=”Fact” info_trigger=”hover” info_place=”top” info_content=”‘시발’ (shibal, meaning ‘start’) sounds like the Korean word for ‘shit/damn’, which is correctly written ‘씨발’ (sshibal) but often also written ‘시발’ (shibal), giving this line a second meaning: ‘Damn starting point’ That is why he laughs in this intro.”] Start, starting point[/x_extra]


시발 시발점

Verse 1)
Hello, twenty-year-old me, you’re not the least bit interested
in economics, so why did you join that department?
That’s probably why you think that you’ve blown your college life
and you’re not even interested in the famous lectures


hello, 스무 살의 나님, 넌 경제학에 관심
하나도 없으면서 그 과 왜 갔니?
그니까 네가 대학생활이 붕 떴단 생각이 들고
한국 최고의 교수님들의 명강의들도

of the best professors of Korea
However, if you just vaguely kill time in a daze,
you will regret it. You’re not a high schooler
I don’t want you to do anything that makes you feel sorry

흥미가 안 가는 거겠지 아마.
하지만 흐릿하게 시간만 죽이며 멍하게 있다간
후회하게 될걸. 너는 고등학생이 아냐
미래의 너 자신에게 미안할 일은

towards the future you. Your rap on the radio
a few weeks before the SAT, which was praised by [x_extra info=”popover” title=”Fact” info_trigger=”hover” info_place=”top” info_content=”Korean hiphop team active from 1997-2001 who did gangster rap”]Gangtholic[/x_extra],
was quite impressive. Well, I can’t put my finger on it and don’t know
if you could be called a genius, but you seem to be rather talented in that direction

만들지 않았으면 해, 수능 보기 몇 주 전에
radio에서 갱톨릭에게 칭찬받았던 랩
꽤 인상적이던데, 뭐 딱 꼬집어 천재까진
몰라도 꽤 소질 있어보여, 그 방면에.

See, there’s no one else who raps as classily as you
On top of it, someone who has tried a great variety of music like you
is literally [x_extra info=”popover” title=”Reference” info_trigger=”hover” info_place=”top” info_content=”to Verbal Jint’s song ‘희귀종’ off the same album. The Hanja literally mean ‘rare’, ‘precious’, and ‘species’.”]a rare species[/x_extra]
Dig into it deeper! It could be that after a few years

너만큼 세련되게 랩하는 사람이 없거든
게다가 너만큼 다양한 음악을 접한 녀석은
문자 그대로 희귀종이니까
더 깊숙이 파고들어가봐, 혹시 네가

you will have become someone like a big tree
in this scene, who knows? Now, you
likely won’t feel that way at all. Of course,
it can be difficult on your own, so go to a place

몇 년이 흐르고 난 후 이 바닥의 큰 나무
같은 사람이 될지 누가 알아? 지금은 아무
느낌이 안 오겠지 물론, 너 혼자 힘으론
어려울 수도 있어, 그니까 너와 같은 취미로

where people get together who have the same hobby
You’ll discover a world you haven’t known of until now
And after about two years, you release an album
I strongly suggest [x_extra info=”popover” title=”Fact” info_trigger=”hover” info_place=”top” info_content=”Verbal Jint’s EP from 2001″]’Modern Rhymes'[/x_extra] as title

사람들이 막 모여있는 곳, 그런 곳에 가봐
여지껏 모르고 살아온 세상과 만나게 될걸
그리고 2년쯤 후면 음반을 내는거야
제목은 Modern Rhymes 적극추천

Hook)
My worn-out notebook was filled to the brink
with rhymes. At that time I didn’t understand them
but I learned and mastered the original
lyrics and flow using CDs I had purchased with difficulty


손때 탄 공책 안 가득히
써 내려간 rhyme, 그땐 당최 알아듣지
못 했지만 어렵게 구한 CD들로
배우고 익혔네, 본토의 lyrics and flow

My worn-out notebook was filled to the brink
with rhymes. I have seen the impossible, one
after the other, change into reality
It is still the same now

손때 탄 공책 안 가득히
써 내려간 rhyme, 불가능이 하나둘씩
현실로 바뀌는 걸 난 봤지
그건 지금도 마찬가지

Verse 2: Beenzino)
Ayo, wassup, sixteen-year-old Lim Sungbeen?
You want to get out of here quickly, right?
At Munho-ri in Seojong Township, Yangpyeong District, Kyeonggi Province
the only thing you can see are the ridges between rice paddies, and


ayo wassup 열여섯살 임성빈
넌 어서 여길 벗어나고 싶지
경기도 양평군 서종면 문호리에서
볼 수 있는 건 논두렁과 오직

it has a boonies vibe with nothing but mountains and rivers
Inconsistent with that, in your ears [plays] [x_extra info=”popover” title=”Fact” info_trigger=”hover” info_place=”top” info_content=”Verbal Jint’s EP from 2001″]’Modern Rhymes'[/x_extra],
[you’re wearing] a 3XL plain t-shirt and a black do-rag
that you bought in Itaewon, pants with a waist of about

산과 강이 있는 촌구석 vibe,
그와 안 어울리게 귀에는 Modern Rhymes,
3XL 무지티에 이태원에서 산
검은색 듀렉에, 바지 허리둘레는 약

34 or 36, you’re lookin’ for a dirty bitch
However, of all things, your girlfriend is a Catholic who wants to preserve her virginity
Catholic, but you want her to lick your dick
Don’t be greedy again, you haven’t even kissed before

34 or 36, you’re lookin’ for a dirty bitch
근데 하필 네 여친은 혼전의 순결을 지키려고 하는
Catholic, but you want her to lick your dick
또 욕심 부리지마 해 본 적도 없으면서 키스

Do not lose one thing: the peace of your mind
There’s no need to hurry that much, man
Because when there is something you really want, and it is nothing you force upon yourself
but it is something true to you, then you will obtain it

잃지마 한 가지 peace of your mind
너무 서두를 필요는 없어 임마
진짜 원하는 게 있고 그게 어거지가
아닌 진정한 것이라면 다 얻어지니까

Don’t mind the rappers you envy and the well-off hyungs
and keep up your vibes
Because when there is something you really want, and it is nothing you force upon yourself
but it is something true to you, then you will obtain it, yeah

너가 부러워하는 랩퍼들, 또 잘 나가는 형들
의식하지 말고 계속 keep up your vibes
진짜 원하는 게 있고 그게 어거지가
아닌 진정한 것이라면 다 얻어지니까 yeah

Hook)

Hiphopplaya logo

Hiphopplaya Radio Returns: Ep0.5 Summary

Hiphopplaya Radio has returned with the new hosts Don Mills and Nucksal from the VMC crew.

Don Mills (left, minus the hair) and Nucksal (right) have become the new hosts of the radio, replacing the widely loved old members: B-Free and Huckleberry P.

Don Mills and Nucksal
Image taken from Don Mills’ Instagram

Introduction: After jokes of alcohol (apparently VMC members are hardcore drinkers) and casual congratulations from fellow members for their new positions, the two hosts lightly begin the radio show, saying that they are nervous but are determined to try their best to bring hiphop related content in a fun and enjoyable way. They say their nervousness comes from having no official script, running the risk of rambling/going off tangent but will try their best anyway. They ask the listeners to help them vote on a radio name. Some of the name candidates are “Hwangchi and Nuckchi” (the “Hwang” from Don Mills’ last name) and another cute name of “Timon and Pumbaa.”  As of now, it seems that “Hwangchi and Nuckchi” is leading the race- the official name will be announced soon!

Don Mills’ hiphop hustle: After the intro, the subject turns to Don Mill’s upbringing to be a rapper in Korea. After being raised in Canada and attending middle school, high school, and college there, Don Mills came to Korea. With a mixtape under his belt, then known as Hwangma K, he blindly visited hip hop record labels such as Illionaire, Hi-Lite, and Amoeba Culture- but no success. No one wanted Don Mills but the rapper Deepflow gave him a chance. Don Mills said Deepflow’s first impression of him was no good (because of his intimidating looks). But after seeing Don Mills perform live ‘88,’ Deepflow asked Don Mills to join VisMajor. Don Mills claim he was so happy he cried because it was his first major accomplishment since arriving in Korea. But his part-time job continued … (This led to lots of laughs.)

Don Mills featuring in Beenzino’s track: Another major incident the radio touched up on was how Don Mills came to feature in Beenzino’s Track ‘Mitch as F*ck’ (from Beenzino’s EP on iTunes). After Beenzino heard the track ’88,’ he wanted Don Mills to feature. Don Mills recalls talking to Beenzino face to face at a fancy studio in Hongdae and how it was “such an honor.” Beenzino even offered to give Don Mills a ride back home in his luxurious car but Don Mills politely declined the offer because his feet were too dirty for the car (more laughs). When it finally came to recording the track, Don Mills made some minor adjustments to his lyrics as Beenzino asked. Don Mills reveals that the “danghyunhaji (of course)” and “thank you” Don Mills shouts in Beenzino’s verse are in fact ad libs Don Mills came up with! Overall, he reminisces that working with Beenzino was much fun and a great honor. After recording the track, he went back home and continued with his part-time job …

Those are some conversations from this Hiphoplaya radio’s episode. This episode is just in audio for now, but video is also expected to be available in the future!

 

Related links:
Don Mills’ Instagram
Nucksal’s Instagram

Paloalto - Daily Routine (cover)

Paloalto – Drought (Feat. Beenzino)

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Beenzino - North American Tour 2015 San Francisco Concert Review

Beenzino North American Tour 2015: San Francisco

On Saturday, December 5, Illionaire Records artist Beenzino performed at The Factory in San Francisco as part of his North American Tour. This concert review was made possible thanks to Platinum K Shows and CHL Entertainment. Proceed on to read about my Beenzino concert experience!

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Who is Beenzino?

Born in South Korea on September 12, 1987, Beenzino (real name: Lim Sung-bin) moved to New Zealand and spent his childhood in Christchurch (which explains his fluency in English) where he discovered his passion for hiphop music through North American emcees such as Tupac, Biggie Smalls, and P. Diddy.  The artist moved back to Seoul for middle school and later went on to graduate from the College of Fine Arts (Sculpture) at Seoul National University.

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Beenzino officially debuted in 2009 as the rapper of hiphop group P’ Skool (notably, with producer Primary).  I highly encourage you to take a listen to their album [Daily Apartment].

In 2010, the rapper collaborated with Beatbox DG in a hiphop group called Hot Clip.  In contrast to the jazzy, soul and swing rhythm in [Daily Apartment], The [Hot Clip] mixtape is a compilation of energetic rap and vocals laid over boom bap and notable beats such as Jay Z’s ‘I’m Ill.’

During the same year, Beenzino and his friend Shimmy Twice formed a jazz hiphop duo called Jazzyfact, which remains as one of my favorite projects by Beenzino.  Their mixtape [Life’s Life] is comprised of several hit tracks such as ‘Friday Move (TGIF),’ ‘Close To You,’ ‘Take A Little Time,’ and ‘각자의 새벽 (Each Person’s Dawn).’

On 2011, Beenzino officially shakes his hand with CEOs Dok2 and The Quiett and signed with Illionaire Records.  Just over a year after joining the rising independent label, Beenzino dropped his first solo EP titled [2 4 : 2 6] where he paints his life experiences that occurred between the age of 24 and 26.  With tracks like ‘Aqua Man,’ ‘Boogie On & On,’ and ‘If I Die Tomorrow,’ the album became a huge success, and was arguably one of his defining moments in Beenzino’s hiphop career.  Since then, he has been featured in a spectrum of hiphop and R&B tracks with artists like Zion. T, Dynamic Duo, Verbal Jint, B-Free, Epik High, Okasian, Primary, and Junggigo.

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His mini-album [Up All Night EP], which dropped in July 2014, was a collaborative project with the designer brand WOOYOUNGMI’s Paris Collection (see our translated ‘Up All Night’ Interview with Naver Music).  Notable songs from the mini-album include the title track ‘How Do I look?‘ as well as ‘Mitch as F*CK‘ and ‘Up All Night.’  In addition to this mini album, Illionaire Records dropped their first compilation album [11:11] with successful tracks including the mega-hit ‘YGGR (연결고리) (ft. MC Meta)’ which won HIPHOPPLAYA Awards 2014 ‘Single of the Year.

In the recent months, the artist released a number of singles including ‘So What,’ ‘Break,’ and ‘We Are Going To‘ as a teaser to his upcoming album which is expected to drop later this month.


Beenzino at The Factory, San Francisco

Having seen Beenzino perform with Illionaire Records a handful of times in both South Korea and North America, I was excited to attend Beenzino’s solo concert in San Francisco. The artist had about 2 hours of scheduled stage time, which meant Beenzino would be playing more than just his popular tracks he would normally play at Illionaire concerts.  I was especially happy when learning that Korean producer and Jazzyfact co-member Shimmy Twice would be joining him on stage for the evening.

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The concert was held at The Factory, a nightclub located in downtown San Francisco.  The layout of the club venue was as one would expect: a simple stage with a DJ booth and a large dance floor for the audience.  Although I was initially concerned about crowd congestion due to the layout of the concert, the staff was excellent in reserving the front area for VIP audience and press pass – there was plenty of breathing space as well as room to take photos and videos.

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The crowd applauded as Shimmy Twice entered the stage and walked up to the DJ booth.  The lights dimmed and the first track played: ‘Jackson Pollock D*Ck‘ from his latest mini-album [Up All Night].  The applause soon became a thunderous cheer as Beenzino walked down the spiral staircase towards the stage and began performing his first verse.  Unfortunately, his nerves got the best of him and forgot his lyrics.  He apologized to the crowd, explaining that he was especially nervous due to the intimidating staircase he walked down from (see our exclusive video).  Shimmy Twice restarts the beat and Beenzino was able to pick himself back up:

For two hours straight, Beenzino performed essentially all his tracks from [2 4 : 2 6] (2011) as well as from [Up All Night EP] (2014).  With Shimmy Twice by his side, the duo performed a number of Jazzyfact songs including ‘각자의 새벽,’ Smoking Dreams,’ and ‘아까워.’  In addition, he performed his recent tracks ‘So What (어쩌라고),’ ‘Break,’ ‘We Are Going To,’ and even a few unreleased ones from his upcoming full-length album, which is expected to drop later this month.

With a spectrum of tracks he is featured in, Beenzino performed a number of fan favourites such as ‘Primary – 멀어 (Far Away),’ ‘Epik High – Born Hater,’ ‘PEEJAY – I Get Lifted,’ and ‘Urban Zakapa – Get.’

Two quick hours passed by and the artist said his goodbyes before leaving the stage with Shimmy Twice.  The audience soon chanted “encore!” and “Beenzino,” requesting him to return to stage.  In less than a minute, Beenzino and Shimmy Twice returned to stage for the encore set.  The artist brought out the Illionaire medley and performed tracks like ‘연결고리 (YGGR),’ ‘Profile,’ ‘내가,’ ‘가 (Go),’ and ‘ILLIONAIRE Gang.’  Beenzino concluded the show with the Jazzyfact track ‘Always Awake.’

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As mentioned previously, this was my first time at a Beenzino solo concert, and I was certainly not disappointed.  He seemed very comfortable interacting with the crowd.  What I was most impressed was the fact that the artist gave his 100% from start to finish – one of our writers commented that “[Beenzino] looked seven pounds lighter by the end of the show!

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Following the Beenzino solo concert, we checked out the afterparty which was held at SF Origin Nightclub.  When we arrived at the venue, the line was long as expected, but we were able to skip the wait and enter the club without any hassle (shoutout to Paul!).  Being that this was a Beenzino afterparty, the majority of the crowd was Korean.  We were pleasantly surprised to see Beenzino and his crew had made it to the afterparty.  As he entered the DJ booth, the crowd swarmed towards the front and took photos and videos with their phones in the air.  After his brief introduction, Beenzino performed ‘연결고리 (YGGR)‘ and enjoyed the rest of the evening at his table with his entourage.  All in all it was a fun evening for everyone present.

sf origin


A special thanks to Platinum K Shows and CHL Entertainment for inviting HiphopKR to attend this solo concert!