Crush

Giriboy - hightechnology (album cover)

Giriboy releases ‘hightechnology’ mini album

Just Music’s Giriboy has released nine new songs today. The mini album ‘hightechnology‘ features Crush, OLNL, Kid Milli, VINXEN, and more.

Only two months ago, Giriboy released the mini album ‘3Songs‘. Today, he’s already back with a new one.

Out of the twelve tracks that are listed (see below), only nine were released. The remaining three will come out at a later point, how so and when remains to be seen.

Giriboy did some of the producing himself this time, but also got help from artists he’s been working with regularly: Cosmic Boy, Minit, and dnss. The successful duo of AOMG‘s GRAY & DAX, who have produced tracks for Jay ParkSwingsnafla, and Hash Swan together, also contributed to the production.

The featured artists include some of Giriboy’s WYBH Crew mates, as well as Crush, VINXEN, and Kid Milli.

‘hightechnology’ Track List & Credits:
  1. 평화 (Prod. by Cosmic Boy) (Feat. Crush, CHOILB) TITLE
    Lyrics: Giriboy, Crush, CHOILB
    Composed by Cosmic Boy, Crush, Giriboy
    Arranged by Cosmic Boy
  2. high qual-la (Prod. by Giriboy, 2S) (Feat. OLNL)
    Lyrics: Giriboy, OLNL
    Arranged by Giriboy, 2S (Seongguk Kim, Siman Hong)
  3. 계약연애 (Prod. by GRAY) (Feat. VINXEN)
    Lyrics: Giriboy, VINXEN
    Composed by GRAY, DAX, Giriboy
    Arranged by GRAY, DAX
  4. 헌옷수거함 (Prod. by dnss) (Feat. Seungmin Kim)
    Lyrics: Giriboy, Seungmin Kim
    Composed by dnss, Giriboy
    Arranged by dnss
  5. 치킨 (Prod. by Mist)
    Lyrics: Giriboy
    Composed by Mist, Giriboy
    Arranged by Mist
  6. 우주심해 (Prod. by Minit) (Feat. Seungmin Kim)
    Lyrics: Giriboy, Seungmin Kim
    Composed by Minit, Giriboy
    Arranged by Minit
  7. kidmilli technology (Prod. by Giriboy)
    Lyrics: Kid Milli
    Composed and arranged by Giriboy
  8. overtechnology (Prod. by Giriboy)
    Composed and arranged by Giriboy
  9. logout (Prod. by Giriboy)
    Composed and arranged by Giriboy
  10. 옛날거 (Prod. by Giriboy, MISU) (Feat. ???) UNRELEASED
  11. 짐 (Prod. by Giriboy) (Feat. ???, ???) UNRELEASED
  12. login (Prod. by Giriboy) (Feat. ???, ???) UNRELEASED

Mixed by GRAY (track 3), Jay Killa (1-2, 4-9)
Mastered by Jay Killa
Photography: Narae, Dayoung
Art: Giriboy

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Source: Mnet

Crush - wonderlost (album cover)

Crush releases ‘wonderlost’ EP and ‘Cereal (Feat. ZICO)’ MV

Crush has released his new mini album, ‘wonderlost‘, along with the music video of its title track, ‘Cereal (Feat. ZICO)‘.

This album is the next part of Crush‘s ‘wonder’ Series after his 2016 mini album ‘wonderlust‘. The previous EP was released in fall and thus contained the calm atmosphere of that season, as well as reflective lyrics.
This second EP in the series lets you feel the hot rays of the sun and a refreshing breeze with upbeat music and many featurings. Besides Stay Tuned, haventseenyou, and millic, the album stars Sik-K, PENOMECO, punchnello, ZICO, Hoody, CIFIKA, and Byung Un of Balming Tiger.

Watch the music video of the title track below!

‘wonderlost’ Track List & Credits:
  1. Chill (Feat. Sik-K)
    Lyrics: Crush, Sik-K
    Composed by Crush, Stay Tuned, Sik-K
    Arranged by Stay Tuned
    Chorus: Crush, Sik-K
  2. Endorphin (Feat. PENOMECO, punchnello)
    Lyrics: Crush, PENOMECO, punchnello
    Composed by Crush, haventseenyou, PENOMECO
    Arranged by haventseenyou
    Chorus: Crush, PENOMECO
    Keyboard: haventseenyou, Mayu
    Guitar: ampoff
  3. Cereal (Feat. ZICO) TITLE
    Lyrics: Crush, ZICO
    Composed by Crush, ZICO, Stay Tuned
    Arranged by Stay Tuned
    Chorus: Crush, ZICO
  4. 뭐가 보여 (Close Your Eyes) (Feat. Hoody)
    Lyrics: Crush, Hoody
    Composed by Crush, Hoody, haventseenyou
    Arranged by Crush, haventseenyou
    Chorus: Crush, Hoody
    Keyboard: haventseenyou, Crush
    Guitar: ampoff
  5. RYO (Feat. CIFIKA, Byung Un of Balming Tiger)
    Lyrics: Crush, CIFIKA, Byung Un
    Composed by millic, CIFIKA
    Arranged by millic
    Chorus: CIFIKA
    Synth: millic, CIFIKA

Recorded by Crush at Crush Studio (tracks 1-2, 4), Stay Tuned at Hannambling (all tracks)
Mixed by Stay Tuned at Hannambling
Mastered by Namwoo Kwon at 821 Sound Mastering
Artwork: Giseok Cho
Styling: Jiyeon Park, yungbluebloy
Hair & Makeup: BLACK LIP, Lee Hyun Woo

‘Cereal’ MV:

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Source: Mnet

Cavalier - Innate (album cover)

Review of Cavalier’s debut album, “Innate”

In early April of this year, 20-year-old producer Cavalier released his debut full-length album “Innate,” a piece of music that was beyond anything many people could’ve expected. The young composer and producer conceived of a project that explored the ins and outs of the human experience, and he did it with nothing more than ambition and a brilliant idea.

Inward

“Innate” is a study of the human anatomy, taking the sound from the broad image of the body and digging inside to find what makes it function. With “Inward,” Cavalier very cleverly, if not tentatively, introduces the instrument. His music acts as the scalpel. “Inward” is the initial dig inside, the first incision, if you will, before crawling in completely to find out how the body works. In this piece he not only introduces his brand of scatter-beat lo-fi, he also hints at moments when voices will duck in and out. We’re already set up for the somewhat erratic nature of his sound, then given a taste of what vocal musings feel like within the space.

Flesh

From there, Cavalier goes a step further, touching, then excavating the outer layer of skin. “Flesh” is just that. A playful touch that leads to the exciting discovery of all the things the biggest organ of our bodies can do. This is Cavalier at his most whimsical on the album. There are starts and stops–fingers skipping across imperfections, small hairs, and goose bumps. It’s as if he’s discovering the skin for the first time, or at least finding out for himself what it’s capable of.

Bacteria

Rightfully so, probably one of the album’s most sonically dissonant pieces is “Bacteria.” It sounds as its title implies: an itchy piece of music that crawls beneath the epidermis and causes the cells to pop. Just as in the elements of the human body, there are moments of purity, healing sounds that calm the heart. Then there are moments full of uncontrolled energy that cause the body to become anxious, fettered with unease. It’s a marvelously complex piece of music. It is the microscope. When the sound swells, Cavalier is looking deeper, enhancing the image in front of him to see past the first layer of himself to find the atoms and molecules that make up his being. He dissects himself (through the composition) to investigate the makeup of those germs that make his mind function.

Synesthesia

From concrete explorations, we hit our first abstract idea of what it means to be human. There’s certainly something deeper in the track “Synesthesia,” something lower down that buzzes and curls in the gut. The bass is … thicker. Meaning there’s heaviness there, but it’s not a crunching bass that can pulsate and torture the ears. Rather, this is a bit of music that’s meant to titillate, not overstimulate. It’s a breathe on skin, a bit of hotness playing across the abdomen. Just as the title suggests, the sound is very focused, as opposed to some of the more scattered aspects of Cavalier’s production. There are certainly shifts in musical dynamic throughout, but it’s all very controlled. Nothing gets too far from his grasp as he manipulates the listener’s ear, teases the flesh and mind with the sinister playfulness of the song’s tone and direction.

Empathy

Then comes the softness. “Empathy” acts as a shift in musical narrative, being the first in a series of songs that explore smoother tones. If the first four tracks of the album were the initial excavation of the body, what follows is Cavalier settling into the rhythm of its ebbs and flows. He has become one with the biorhythms inherent in our existence. Now he’s just allowing himself to ride the wave of each part. “Empathy”–again a title befitting the song’s construction–is Cavalier adapting himself to his surroundings. He’s become so close to the community within he’s now able to feel as the body feels. That is, he can fit his mood to the body’s natural inclinations.

Mortal

It’s oftentimes tricky for albums that are so focused on composition to add spoken or sung sound to the mix. Adding a singer or rapper to an album so heavy in intricate production can disrupt the magic of the piece, add a plot hole to the overall narrative of sound, especially when the lyrics don’t match the soundscape. However, vocalists work like a dream for Cavalier, whose compositions are intricate but open enough to welcome words and voices. With “Inward” we heard the first inclinations of what he could do with voice when added to the scope of his composition. “Synesthesia” showcased how the subtle vocal could add texture to the sound’s narrative.

The first full vocal cut on the album, “Mortal,” is the perfect way to introduce the concept of another person’s presence in his music. It also does a fine job exploring the nature of human existence. Jeff Bernat has a soothing timbre that doesn’t force itself on the listener. Rather, the voice and the music work in concert to create a sound profile that’s as rich in depth as the instrumental tracks on the album. Bernat’s coo and Cavalier’s penchant for the sensual turns what could’ve been a heavy-handed bit of sex into something quite intimate and emotional, turns heavy petting into soft caresses in softer light. It was clever to open the song on pixelated breath, a ragged sigh that leans into the first note from Bernat’s lips.

Warping

What gives me the impression that Cavalier studies a bevy of nu-wave producers and dabbles in the deep house, nu-jazz scene is the pure sex and sensation of tracks like “Warping.” There’s an edge to the production that’s very reminiscent of artists like Vikter Duplaix, particularly the way he uses space and silence between notes. Even the use of sparse piano has a dark bit of lust at the music’s rounded corners. I get hints of songs like “Desperately” from Duplaix’s “International Affairs” album–a cut that’s thick with lust and tastes like chocolate and deep things. Cavalier has a great deal of the lover in him to concoct a song this ripe for lovemaking.

White Noise

No doubt the track most listeners will automatically flock to is the collaboration with Crush and EZRA. Though it’s a shame they’d skip the full feast of music before, there’s good reason this is a track many may gravitate to. Cavalier’s sensual production meshes like magic with Crush’s silken vocal delivery and matches in intensity when EZRA delivers his subdued verse. “White Noise” is an apt title for the way the music scatters and shifts with the understated delivery of its two features. It’s meant to work as background sound, music that muffles the senses while simultaneously keeping the mind awash in fantasy. It’s a dangerous cut, using seduction as a weapon.

Nothingness

From the stinging stimulation of “White Noise,” we get something to soothe the ache and want. “Nothingness” certainly isn’t an absence of sound or substantial emotion. However, it does the work of easing the listener back into the music, allowing the skin to breathe for just a moment. It does the work of reintroducing Cavalier’s intricate composition without doing too much to overcrowd the listener’s senses.

Subconscious

Subconscious” sneaks in on a suggestion, something niggling in the back of your mind that you know is there but you’re having a hard time reaching. The music in this case is subdued, devoid of much of the fanfare of the songs preceding it. “Nothingness” allowed the mind to go blank. Now Cavalier is imploring us to fill it back up with something: a memory, a thought, a dream. There are moments when the music is flimsy at the edges, as if just the start of an idea. As the song comes to a close, on a sizzle that pops, then fades out, we get glimmers of what could be the beginning of something new.

Euphoria

Thus the album’s closer, “Euphoria.” We’ve reached the end of a journey through our bodies, minds, and the furthest parts of our intellect. There’s an obvious bounce to the music, again adding substance to the abstract idea the song’s title puts forth. There are starbursts scattered throughout. Bits of sound that explode into starlight. The music acts as little sprinkles of dust that make their way from our minds and travel back through us, giving us life.

Conclusion

“Innate” delves deep into the human psyche as well as how the mind interacts with the body. You can quite literally feel the album on a molecular level. Cavalier is an ambitious producer and intelligent composer. There are shades of Flying Lotus (during his “Until the Quiet Comes”/”You’re Dead.” eras) and Iglooghost, at times. Yet there are moments where the velveteen nature of the tracks falls more in line with Vikter Duplaix. It’s an album about the nature of humans, how we connect with each other and how we further connect within ourselves, naturally and on instinct. “Innate” is a gorgeous piece of work that opens the listeners up to parts of themselves they may have never explored before.

 

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Edited by Lena

Crush - Stevie Wonderlust (album cover)

Crush releases digital single ‘Stevie Wonderlust (with Band Wonderlust)’

Crush has released the digital single ‘Stevie Wonderlust (with Band Wonderlust)‘ today for Mnet’s ‘Geek Tour’.

Crush has been appearing on Mnet’s ‘Finding Hero[e]s: Geek Tour’ alongside producer Stay Tuned. Together, the two artists composed the track ‘Stevie Wonderlust’, an homage to the singer-songwriter.

You can find the single on iTunes/Apple Music. Excerpts of ‘Geek Tour’ episodes are available on Mnet’s YouTube channel.

‘Stevie Wonderlust’ Credits:

Lyrics: Crush
Composed by Crush, Stay Tuned, Sojin Hong
Arranged by Band Wonderlust
All Instruments: Band Wonderlust (hot mandoo, jimseungho, Insung Choi, Dongmin Kim, Joo Hyunwoo, Trombone Gun, Seongmin Gim)
Recorded & mixed by Stay Tuned at hannambling
Mastered by Namwoo Kwon at 821 Sound
Artwork: Denny Wickid, junsngwon
Presented by Mnet’s Geek Tour

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Source: Mnet

Crush - Bittersweet (cover art)

Crush releases new digital single and music video ‘Bittersweet’

Singer Crush has released his first single and music video in 2018. ‘Bittersweet (잊을만하면)‘ is the start of more things to come this year!

Anyone must have once tried to forget about a past love. When you feel empty, you dial that number you know so well and look for that person full of lingering feelings. Even though you know it will just make things harder for you and increase your loneliness.

Crush‘s new single expresses the feelings of such a lonely night, when one is resentful towards one’s ex but misses that person at the same time. “If I could just forget,” so the Korean title. If you are going through lonely nights thinking of that one person, this song is going to be there for you.

JBird co-composed and -arranged the song. He has worked with Crush before, most prominently on DEAN‘s ‘what2do‘.

This single once again reminds listeners of Crush’s outstanding sense for rhythm and trendy voice. Watch the music video below and find the single on iTunes/Apple Music!

‘Bittersweet’ Credits:

Lyrics: Crush
Composed by JBird, Crush
Arranged by Crush, JBird, Sojin Hong, Stay Tuned

MV directed by Sungwook Kim (GDW)
Photograhy & Artwork: Denny WickidJunsngwon
Styling: Jiyeon Parkyungblueboy
Hair & Makeup: Black Lip

Music Video:

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Source: Mnet