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jackson-titanic

Jackson Wang’s “Raw, Authentic Self”: “TITANIC” Review & Interview

[Rich] Brian and I joined forces to make the best track to vibe out to with ‘Titanic.’ This song is all about getting hype, dancing, and having fun. I’m proud that we are representing Asian cultures together with this collaboration.”

–HiphopKR interview with Jackson Wang

There’s nothing more satisfying as a fan of music than character development. There are some artists whom you desperately want to like for the merits of the craft. But somewhere along the line they fall short of what you really want for them. Ultimately, you want them to tap into their potential. Jackson Wang is one such artist. Someone brimming with talent, ambition, and an obvious need to get something out of him. An artist whom I’ve always wanted to truly tap into his potential.

TITANIC

With his latest release, “TITANIC,” Wang has found his voice. Damn, does it ever smack you in the face!

Okay, as much as I want to dig into the imagery of this piece, I have to get one thing out of the way. Who the hell is this dude?! Yes, yes. I know Jackson Wang, rapper, dancer, Olympic fencer of JYP K-pop group GOT7. However, whoever this dude is, is not that guy. Wang has been working toward making a name for himself beyond the K-pop visage of his group. His efforts, in my humble opinion, have been hit or miss. I could always tell there was something grittier beneath the surface. Ultimately, however, I just saw attempts at replicating hip-pop trends. (At the end of the day, all style, no substance.)

Then “TITANIC” crosses my desk. Within the first fifteen seconds I had to stop the video. With production from Falcons, the track itself is a work of barely contained aggression. As he revealed in our email interview, “This song is all about getting hype, dancing, and having fun.” That being said, “TITANIC” does so much more than serve as a typical club bop.

Familiar sounds, straight out of P Diddy’s New York. That’s what initially got me. That sound is a piece of my childhood. Record scratches meant to mimic a brush against a cymbal. Hip hop-laced jazz conventions with classic breakbeats. Wang held his own with it. Lyrically it’s your typical bit of puff and bombastic bravado. If you’re gonna do the thing, you gotta do the damn thing. Wang definitely did his thing. With a whispered chorus that hits like a roar, he made a loud point: I came to do work!

Rich Brian

Wang is rude here. Gritty. There’s something undeniably rough about the song’s makeup. It’s unpretty, unapologetic. What you get here is a man who knows his mind. Knows exactly who he wants to be and what he wants the world to see in him.

Working with Indonesian-Chinese rapper Rich Brian added even more texture to the piece. The 88Rising rapper is known for his snarky lyricism and more recently his penchant for biting introspection. His contribution carved a deeper crag of realism to the glossy veneer of Wang’s K-pop doppelgänger.

“88rising has always been my family and we’ve always supported each other,” Wang says. “We were friends, and then started to work together. I’ve been a fan of Brian for a really long time. I am so grateful that he wanted to do a verse on ‘Titanic.’ We met for the first time when we shot that video.”

New Directions

Wang doesn’t exactly have a presence in K-hip hop circles. That’s half a product of not actually being Korean and half because, speaking truthfully, he hasn’t proven that he has the chops to contend. Granted, you could say that about at least half of the K-hip hop scene anyway. But it’s a harder case to make when you come from the world of K-pop. (And as part of the former “Big 3,” no less.)

What does he do? He waits. He waits and he works. Make no mistake, it took a lot for Wang to get where he is now. Tracks like “Papillon” and “Fendiman” doing little more than rehashing music from the States that, while not exactly artistic masterpieces in and of themselves, has origins that he just has no experience with. Then he releases “Bullet to the Heart,” and I started to pay attention.

“I wanted to create a song that showed my raw, authentic self. ‘Bullet to the Heart’ is such an emotional song that really tells the story of the recent hardships I’ve gone through in my life. I think that [‘Bullet to the Heart’] is different because of that. It has some of my hardest moments embedded in the song and video through the melody and production.”

A Titanic Image

“TITANIC” is a bold statement from a K-pop perspective, certainly. It’s the type of fearless energy we expect from hip hop. However, we don’t get much of that same fearlessness from its fluffier peer in pop. It’s a question of control. As Wang branches out and builds a career separate from his group’s musical confines, social media must play a role. After all, we are in an era that, love it or hate it, seems to dictate the trajectory of someone’s career. Wang has had his fair share of controversy, but he’s also tried to be meticulous in how his image comes across on social media.

“I think that social media is very important because that’s where I can interact with all of the people that support me. Social media does allow me to express my real self, whether it is with the group or solo actually.”

The Video

Never mind the song being something of a revelation as far as Wang’s career. The video is a testament to just how calculated he is. Just how much control he has over every aspect of his solo career. Director Brendan Vaughn has worked with the likes of Migos, 5SOS, and Travis Scott. His aesthetic is brooding, moody, and focused. It’s a fitting match for a man who proclaims to want desperately to show the world who he really is.

“Brendan and I worked together to come up with the concept. It was important to me to work with the Kinjaz as well. I wanted to showcase dance choreography in a more hip-hop way, and make a dope video to match the vibe of the song.”

He continues, “Kinjaz are my brothers, we’ve been working together for a while now!”

It’s smart, period. There was every opportunity for him to go for something ostentatious, colorful. However, he and Vaughn opted for the classic black-and-white motif. With the added monochrome effect, we as viewers are forced to zero in on every movement, every lyrical inflection.

The video’s imagery draws almost directly from the film’s premise: the failed voyage of the legendary RMS Titanic itself. Most notably the image of the car. While it was the scene where our two protagonists in the film cemented their romance, Wang and Brian seemingly act as the waves that wash it all away. The car rapidly filling with water after hitting something weighty enough to sink what was meant to be the mightiest ocean liner to ever sail.

“TITANIC” could very well be Jackson Wang’s ultimate declaration of “I am!” He enters the screen slow, rising from a sitting position. An iceberg sneaking into your line of sight through the darkness. From there, the beat comes in like the first impact of that ice. At that point Wang and Brian cut into your expectations and tear through them like tissue paper. (Water everywhere, the car nearly completely submerged, then slowly sinking into a puddle.)

Conclusion

“TITANIC” is a beast of a track. Just as its name suggests, it storms in fast and hard, made of iron and fire. If the track is anything to go by, this is the tip of a very large iceberg. This is a new era for Jackson Wang. If he continues along this path, giving audiences his “raw, authentic self,” there’s a chance we’ll look back on “TITANIC” as the moment he went from K-pop pretty boy to competent rapper.


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Jackson Wang - MIRRORS (album cover)

Jackson Wang releases first mini album, “MIRRORS”

Jackson Wang, member of boy band GOT7, has released his first solo album today. The “MIRRORS” EP features GoldLink and Rich Brian.

Release Date: October 25, 2019
Type: EP
Presented by Western and 6th

Tracklist & Credits:
  1. BULLET TO THE HEART
    Produced by The Roommates
    Written by Gregory Hein, Ian Arnold Gottschalk, Jackson Wang, Jonathan Wienner, Sam Homaee
  2. ON THE ROCKS
    Produced by Sean Turk
    Written by Gregory Hein, Jackson Wang, Kyle Owens, Maurice Powell, Sean Turk
    Recorded by BOYTOY
    Mixed by Yang Tan
    Mastered by Gentry Studer
  3. DWAY!
    Produced by 1Mind & Bijan Amir
    Written by Amber Marie Sassman, Bijan Amirkhani, Gregory Hein, Jackson Wang, Jake Asher Rahman, Maurice Powell, Ray Jacobs, Sebastian Lopez
    Recorded by BOYTOY
    Mixed by Yang Tan
    Mastered by Gentry Studer
    MV directed by Daniel Cloud Campos, produced by Collidoscope LLC
  4. UNLESS I’M WITH YOU
    Produced by BOYTOY, Diamond Pistols, YoungForever
    Written by Christian Dold, Gregory Hein, Jackson Wang, Mathias Rosenholm, Seunghyo Hahm
    Recorded by BOYTOY
    Mixed by Yang Tan
    Mastered by Gentry Studer
  5. BAD BACK (Feat. GoldLink)
    Produced by BOYTOY, Sean Turk
    Recorded by BOYTOY
    Mixed by Yang Tan
    Mastered by Gentry Studer
  6. TITANIC (Feat. Rich Brian)
    Produced by Falcons
    Recorded by BOYTOY
    Mixed by Kevin McCloskey
    Mastered by Gentry Studer
    MV directed by Brendan Vaughan, produced by Snow Beach
    Special thanks to the Kinjaz
  7. FADED
    Produced by Amber, Asher, BOYTOY, Hewitt.A, Loez
    Written by Alexander Hewitt, Amber Marie Sassman, Jackson Wang, Jake Asher Rahman, Luis Angel Fuentes
    Background Vocals: Amber Marie Sassman
    Recorded by Asher, BOYTOY, Loez
    Mixed by Kevin McCloskey, Yang Tan
    Mastered by Gentry Studer
  8. 爱 (I Love You 3000 Chinese Version)
    Executive Producers: Stephanie Poetri, Titi Dj
    Produced by Austin Ong, Stephanie Poetri
    Written by Jackson Wang, Stephanie Poetri
    Guitar: Austin Ong
    Background Vocals: Stephanie Poetri, Titi Dj
    Vocal Director’s Assistant: Gregory Hein
    Recorded by Vic Wainstein, Yusup Albantani
    Mixed by Heri Alesis, Yang Tan
    Mastered by Gentry Studer
Music Videos:
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Source: YouTube

[Ticket Giveaway] Head In The Clouds Music and Arts Festival

Here’s your chance to win a pair of GA tickets for the upcoming HEAD IN THE CLOUDS festival!

HiphopKR will be giving out a pair of GA tickets for the upcoming festival which is taking place September 22, 2018, in Los Angeles at the Los Angeles State Historic Park. The festival’s lineup includes Rich BrianJojiKeith ApeHigher BrothersNIKI, and a host of special guests including Zion.TYung Bans, and Dumbfoundead. General admission and VIP tickets are now on sale here.

HOW TO ENTER OUR CONTEST

Here’s how to enter our exclusive contest (read carefully and follow all instructions):

ON INSTAGRAM:
  1. Share the Instagram post on your account (be sure to tag @hiphopkr on the photo)
  2. Comment on THIS post with the following:
    • Tag a friend who you want to bring to the festival
    • Tag one of the artists you want to see at the festival
    • Use hashtags #HiphopKR and #88rising

Contest will run between August 25 and September 7, and the winner will be announced on September 9. Only one winner will be selected for a total of two General Admission tickets.

 

ABOUT HEAD IN THE CLOUDS

Head In The Clouds will be a full day music and arts festival in downtown Los Angeles and the ultimate live manifestation of 88rising’s fast rise in music and youth culture – bringing the new definitive experience celebrating music and art from the East and West.

“Having our own music festival in LA is a dream come true and something we have always wanted to happen. 88rising means “double happiness” and that’s what we intend to bring to the live experience for years to come with this festival. We have been working on every detail for the fans to have a great time with us.” says 88rising founder and CEO, Sean Miyashiro.

In the same vein, 88rising is announcing its debut 88rising group album, also called Head In The Clouds, due for a summer release. Head In The Clouds will feature new original music from Rich Brian, Joji, Higher Brothers, NIKI, AUGUST 08, and special guest features. You can hear a snippet from the album featuring Joji in the festival trailer up top.

Indonesian rapper Rich Brian says, “We wanted to make a timeless record, and really create the soundtrack of summer, because summer is a feeling, a whole vibe.” 88rising labelmate Joji says, “Head In The Clouds is crazy people getting together and making even crazier stuff.”

88Rising - Head in the Clouds concert poster

88rising Announces ‘HEAD IN THE CLOUDS’ Music Festival

On May 7, music and arts collective 88rising announced their first-ever music festival titled Head in the Clouds which will be held this September in Los Angeles, CA.

The festival is co-produced by Live Nation and will take place at the Los Angeles State Historic Park on September 22, 2018. The announced lineup thus far features 88rising’s Rich Brian, Joji, Keith Ape, Higher Brothers, as well as special guest performances by Zion.T, Yung Bans, Yung Pinch, LAFF TRAXX (Toro Y, Moi & Nosaj Thing), KOHH, Dumbfoundead, and more.

88rising’s crew track “Midsummer Madness” was recently praised on Twitter by K-pop group BTS, after which the track went to number one on Melon Charts. The 88rising crew returned the love with a special video:

https://www.youtube.com/watch?v=LjrNcz612ss

Information on general admission and VIP tickets is available HERE. For more information on the festival, visit 88rising.

About HEAD IN THE CLOUDS

Head In The Clouds will be a full day music and arts festival in downtown Los Angeles and the ultimate live manifestation of 88rising’s fast rise in music and youth culture – bringing the new definitive experience celebrating music and art from the East and West.

“Having our own music festival in LA is a dream come true and something we have always wanted to happen. 88rising means “double happiness” and that’s what we intend to bring to the live experience for years to come with this festival. We have been working on every detail for the fans to have a great time with us.” says 88rising founder and CEO, Sean Miyashiro.

In the same vein, 88rising is announcing its debut 88rising group album, also called Head In The Clouds, due for a summer release. Head In The Clouds will feature new original music from Rich Brian, Joji, Higher Brothers, NIKI, AUGUST 08, and special guest features. You can hear a snippet from the album featuring Joji in the festival trailer up top.

Indonesian rapper Rich Brian says, “We wanted to make a timeless record, and really create the soundtrack of summer, because summer is a feeling, a whole vibe.” 88rising labelmate Joji says, “Head In The Clouds is crazy people getting together and making even crazier stuff.”